Review Roundup: VIRTUE (1932) / SEARCH FOR BEAUTY (1934)

Hello Readers!  It's been way too long since I checked in -- hope everything's going well with you all.  Things are going great for me because every Friday in September, TCM is playing pre-Codes!  All the lurid goodness you can handle for 24 hours.  Paradise for this film fan!

Two that I enjoyed over the weekend (hooray for DVR):

VIRTUE (1932) is a gritty little melodrama about Mae (Carole Lombard), a prostitute ready to walk the straight and narrow instead of the streets, and Jimmy (Pat O'Brien), the taxi driver she begins a new life with -- only to have the old one rear its ugly, two-faced head.

I was going to write a full review, but Danny at Pre-Code.com has done a marvelous job of that already, so go have a look!   Allow me to add that Lombard is on par with Barbara Stanwyck in this -- the entire film feels more like a down-and-dirty WB production rather than Columbia.  Top-notch and I recommend it highly.

SEARCH FOR BEAUTY (1934) is crazy.  The plot of a health-and-fitness magazine trying to run a beauty contest almost doesn't matter; this whole film is sex on screen with a healthy thumbing-of-the-nose at the Hays Code.  It's gotta be the most salacious of the pre-Codes I've seen (and that's saying something)!  Danny at Pre-Code.com again does the honors with his review.  YOU HAVE TO SEE THIS MOVIE.  Also: Toby Wing Speaks!  She gets actual billing!  

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You may wonder why I'm no longer doing my own reviews.  Well, the fact is: there are so many other bloggers that are much, much better at it than I am!  So you'll continue to see poems, actor profiles, and other interesting tidbits on FF+SS, but reviews will be from other film bloggers worth your attention (and boy, are there some wonderful ones)!  I'll still be adding my two cents though. ;)

Review: Two Alone (1934)

Mazie (Jean Parker) lives in a world as bleak and unforgiving as a Grant Wood painting.  An orphan, she was adopted into a life of drudgery and servitude by a harsh farm family, headed by the deplorable Slag (Arthur Byron) and his shrewish wife (Beulah Bondi).  Their daughter, Corie (Nydia Westman, who you'll hear more about soon), doesn't seem to care for Mazie one way or another, only noticing her existence to laugh at her.

Somehow, despite the lack of love and affection, this little weed has grown into a wildflower; Mazie is beautiful, dreamy-eyed, and curious.  Her only friend on the farm is George Marshall (Willard Robertson), an older hired hand, and her heart is broken when he leaves -- though he does promise to come back and save her someday.

One day, Mazie stumbles across Adam (Tom Brown), a troubled young man on the run, and treats him with the first compassion he's ever known.  They recognize something in each other, these two castoffs, and before they know it they've formed a bond -- one they will desperately need to hang on to...

This movie touched me.  It's a soapy programmer, to be sure, and it starts a bit slow and rickety, but the performances are disarming.  Jean Parker imbues Mazie with an innocence that never devolves into dopeyness or gullibilty; both she and Tom Brown have such freshness, such vulnerability, that their love story never seems syrupy or overblown.   Arthur Byron plays one of the coldest, meanest characters in recent memory, and just when you think he might be softening...well, I don't want to give it away.  Charley Grapewin injects a bit of humor into the movie's darker moments with a small but pivotal role, and Zasu Pitts has a cameo as his long-suffering daughter.

Two Alone is a thinly-veiled Cinderella story, but it is also a very real and poignant tale of first love.  IMDb says it is also known as Wild Birds; it's worth seeing under any name.

I give this one: